|Pash was the pen name of Avtar Singh Sandhu (September 9, 1950 - March 23, 1988), an Indian poet. His strongly left-wing views were reflected in his poetry. |
He was born in Talwandi Salem, Jalandhar, Punjab, growing up in the struggle between the Naxalite movement and working class, poverty-stricken Punjabs, during the so-called Jujharu (rebellious era). He published his first book of revolutionary poems, Loh-Katha (Iron Tale) in 1970; his militant and provocative tone raised the ire of the establishment and a murder charge was hastily brought against him. He spent nearly two years in jail, before being finally acquitted.
On acquittal, he became involved in Punjab's maoist front, editing a literary magazine, Siarh (The Plow Line). He became a popular political figure on the left during this period, and was awarded a fellowship at the Punjabi Academy of Letters in 1985. He toured the United Kingdom and the United States the following year; while in the U.S., he became involved with the Anti-47 Front, opposing Sikh nationalist violence; in retribution, he was murdered at the hands by a Sikh group in 1988.
- Loh-katha (Iron-Tale) (1970),
- Uddian Bazan Magar (Behind Flying Hawks) (1973),
- Saadey Samiyaan Vich (In Our Times) (1978), and
- Khilre Hoey Varkey (Unorganized Papers (1989))
Khilre Hoey Varkey was posthumously published in 1989 after his death, followed by his journals and letters. A selection of his poems in Punjabi, Inkar, was published in Lahore in 1997. His poems have been translated in many languages including other Indian languages, Nepali and English.
Quotes about Pash:
"The best known name in the Left and progressive movements in modern Punjabi literature, Pash followed an old Punjabi tradition of fighting against oppression and it was almost as if he was a reincarnation of one of the renowned Punjabi freedom fighters.""He took the banner of the Naxalite movement to actively participate in radical politics that landed him in jail for a couple of years on a trumped up murder charge, and finally got him brutally murdered in broad daylight at the age of 38."
"The intensity of his passion gave some of the best revolutionary poetry to modern Punjabi literature and an alternative to the romantic poetry of Shiv Kumar Batalvi, whom he had admired as a teenager and then challenged by confronting him personally and in writing, creating a fascinating legend of the clash of two major schools of thoughts of Punjabi poetry.""Paash, a famous revolutionary cultural poet combated communal terrorism through the anti-47 Front. Paash fought till the last breadth against the terrorists, till he fell to their bullets in Jalandhar in 1988."
Samartha Vashishtha says in his essay "Politics in Poetry"--"I'd perhaps have accepted the logic put forward by the veteran writer without doubt, had I not spotted earlier a glaring paradox right in his camp. I translate below part of the prefatory note that Paash (1950-1989), one of the leading poets of the Jujharu (rebel) era of Punjabi poetry; and arguably one of the finest poets (pro-people, should I say?) of the 20th Century, wrote for his third book of poems Saade Samiyaan Vich (In Our Times), 1978: "Of those whose poetry has influenced me the most, Kamala Das is still alive. Kalidas left for heaven long back. As for now, I would like to thank Kamala Das. Neruda and Nazim belong to our own camp. So no need to thank them at all."
"Because when they strike it can be that quick that if they're within range, you're dead, you're dead in your tracks. And his head weighs more than my body so it's WHACK!" - Steve Irwin.
|Mainu Chahiday Han Kujh Bol |
|Two and Two Three |
|The Most Dangerous |
|No, I Am Not Losing My Sleep |
|The Most Dangerous Thing |
|Everyone Doesn't Have The Propensity To Dream |
|After emergency was imposed |
|In a meeting of mourning |